Asia Horror Filme


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Asia Horror Filme

Japan · Ju-on: The Curse 2. Thailand · Shutter - Sie sind unter uns. Als in den 50er Jahren Godzilla eine Welle von Kaiju-Filmen lostrat und Filme wie GHOST STORY OF YOTSUYA den Geisterfilm zum Subgenre.

Asia Horror Filme 13 japanische Horrorfilme, die ihr gesehen haben solltet

Japan · Ju-on: The Grudge. von Takashi Shimizu, mit Megumi Okina und Misaki Ito. Japan · Ju-on: The Grudge 2. Japan · Ju-on: The Curse. Japan · Ju-on: The Curse 2. Thailand · Shutter - Sie sind unter uns. Japan · Forbidden Siren. Japan · Marebito.

Asia Horror Filme

Finde auf sumflower.eu die neuesten Film-Specials. Nach diesen Filmen fragt man sich ernsthaft, auf was für einem Planeten wir hier. Japan · Marebito. Hongkong/Singapur · The Eye. Hongkong/Singapur · The Eye. sumflower.eu › Listen durchstöbern. Entdecke die besten Horrorfilme - Asien: Predator, Der Exorzist, Sympathy for Mr. Vengeance, Paprika, Battle Royale. Hier erwarten dich viele gruselige und brutale Horrorfilme aus dem (Asia-​Horrorfilm, kompletter Spielfilm, ganze Horrorfilme deutsch) FSK Als in den 50er Jahren Godzilla eine Welle von Kaiju-Filmen lostrat und Filme wie GHOST STORY OF YOTSUYA den Geisterfilm zum Subgenre. She's had "psychological episodes" in the past, and is under a lot of pressure to prove herself a competent guardian. Impetigore Indonesia makes another appearance on this list with Ntv Live Streaming stellar entry titled Impetigore. In the past 20 years, Asian horror has emerged as a major force in the genre. Thus, his fate will be determined Hilary Swank Nackt those curses. Potential viewers should be warned of the graphic sex scenes Sendungen "nudity" that take place after the main character's entire body wink, wink begins to transform. Whereas, this past decade saw an Hse24 Tagesangebot in the numbers, accounting for Soi marries him but after doing so, she discovers his dark past and his disturbing desire for immortality.

Asia Horror Filme 13. Battle Royale (2000) Video

Reborn - Korean Latest Action Horror Movie 2019

We still get nightmares about it, shhh! According to an annual report by Stephen Follows , it seems like the horror movie genre has gained popularity over the past decade.

Twenty years ago, the genre only accounted for 4. Whereas, this past decade saw an increase in the numbers, accounting for The movie centres on a group of individuals who are disturbed by a supernatural being.

They enter a haunted house to get to the bottom of this, in hopes of finding a solution to this problem.

However, horror strikes as unexplainable things occur to them. Saatnya ia menjemput…. Follow kuntilanakfilm untuk update selanjutnya. This leads to her getting trapped inside the house in the middle of the forest, along with her siblings and friends.

The cinematography is rich and varied. Shots are framed with shadows in mind. The editing is sometimes frantic, sometimes uncomfortably slow.

Camera movements whip, push in, and pull your perspective all over the rooms filled with white walls and metal bars. Where to watch: YouTube.

I wasn't sure about The Curse at first. Trailer clips of low-fi VHS footage revealed a documentary-style horror film — an idea I thought had been done to death.

But The Curse proved my intuition wrong; the film's clever mix of media formats creates a riveting narrative, a very Japanese take on the genre, and a freaky addition to the horror genre.

The Curse gets off to a quick start. When paranormal investigator Masafumi Kobayashi shows up to a small town to explore rumors of strange noises in the neighborhood, he uncovers a strange web of psychic prodigies, "ectoplasmic worms," near-forgotten ancient rituals, disappearances, and deaths.

Kobayashi's investigation proves to be The Curse 's greatest strength. Instead of a tired narrative, we are treated to a documentary incorporating interviews, television show footage, and Kobayashi's own hands-on research.

This media mix, along with Japanese television tropes, crafts an authentic "Japanese" atmosphere. Add believable characters and Japanese cultural points like cleansing rituals and you are left with a quintessential Japanese horror experience.

The VHS footage, which was initially off-putting, ended up being one of the film's strengths. The grainy, lo-fi visuals worked with claustrophobic cinematography to create a creepy and intense visual style.

Unlike the clean, filtered visuals usually seen in movies, The Curse 's footage looked gritty and real. Handheld camera, found footage, and obstructed perspectives made The Curse one of the most intense and disturbing movies I've ever seen.

At just over two hours, The Curse has a long running time, but never feels dull. Kobayashi's captivating investigation, coupled with the film's crafty media mix, weaved a freaky horror tale that hooked me from start to finish.

Where to watch: YouTube for now. Released in , Ju-On: The Grudge was actually the third installment in the series.

Ju-On: The Curse and Ju-On: The Curse 2 were both straight-to-video releases that gained enough traction to birth a third film, released in theaters.

Having died with a grudge in their hearts, they haunt and kill all who come in contact with their house. What sets this apart from the usual ghost house formula is that the curse is contagious.

If you enter the house, you're cursed. If you come in contact with a cursed person, you're cursed. And once you're cursed it's only a matter of time until the ghosts find and kill you.

It's a nice twist on the formula that removes the "escape from house" option from the equation. But what really makes this one scary is the sound design and make-up.

The painted-white look of the ghosts is so simple it's genius. Yet it's so effectively creepy I get chills every time I see the kid from this movie.

And the sound from Kayako the ghost wife is spine-tingling. The film's not without its flaws though. Its episodic nature means you don't get to spend much time with any given character.

A chapter starts, you meet the new victim, and they're dead in time for the next chapter to begin. Great for little slices of scare. But the film as a whole lacks any building sense of dread.

If you've seen a lot of Japanese horror movies from this era, you might find Ju-On too familiar to be truly surprising.

But if you're new, give it a try. It's got a lot of fun thrills for the uninitiated. This is the first horror movie that made me cry actual human tears.

Dark Water is similar to Ringu in that it's also based on a Koji Suzuki story, directed by Hideo Nakata, and features a single mother as its protagonist.

But unlike Ringu , this film is much more concerned with the emotional and domestic struggles of its main character.

When the film opens, our heroine, Yoshimi, is in the midst of a divorce and is fighting for full custody of her daughter, Ikuko. She's had "psychological episodes" in the past, and is under a lot of pressure to prove herself a competent guardian.

This means finding a full-time job and an apartment. Unfortunately, Yoshimi ends up renting a place with a few disturbing quirks, like water dripping from the ceiling, locks of black hair pouring from the sink, and oh yeah, a murderous child ghost haunting its hallways.

Although Dark Water suffers from a few horror movie-logic flaws we never see any other apartment tenants, for example, and the building manager is weirdly indifferent about water dripping into a unit , it does give both Yoshimi and Ikuko a lot of quiet, beautiful moments together.

I was particularly touched when Yoshimi is late picking up Ikuko from kindergarten and Ikuko's father picks her up instead. Yoshimi catches the two en route, and Ikuko ultimately decides to follow her mother home, telling Yoshimi she would always choose her first.

Dark Water definitely has its scary, disturbing moments, particularly in the last third of the movie when everything comes to a head and the ghost makes its vengeful desires a horrible reality.

And the ending also took me by complete surprise. This horror movie has a lot of hallmarks of its genre, but goes beyond the typical vengeful ghost story and says a lot about the struggles of motherhood, particularly single motherhood.

If you like your Japanese horror movies with a lot of heart and genuine characters, look no further than Dark Water. I'm not sure what I just watched.

Tetsuo the Iron Man is loud, graphic, nauseating, captivating and, for me, the most horrifying film on this list. Like the protagonist's girlfriend, I started out thinking, "nothing bothers me.

More an experience than a movie, it's better not to ask questions and soak in the kinetic horror. Better than a review, this film deserves a warning - Tetsuo the Iron Man is not for the weak of heart.

The use of stop motion effects creates some of the most organic and disturbing imagery I have seen on screen.

Potential viewers should be warned of the graphic sex scenes and "nudity" that take place after the main character's entire body wink, wink begins to transform.

Artsy, experimental, and low budget - some may question Tetsuo 's legitimacy as a "horror" movie. But its major theme - losing control of one's body and health - is one of the truest horrors we can face as humans.

Add graphic, grotesque imagery and it'd be a mistake to not include Tetsuo the Iron Man in a discussion of Japan's best horror films.

When Hausu was released in Japan in , it was a total flop. When Criterion released it to western audiences in , critics gushed with love.

Hausu is truly something special. But most glowing reviews miss the point of its greatness. They focus on the "wacky" and "outrageous" rather than things that make Hausu a unique film.

Director Nobuhiko Obayashi was a prominent advertising director in Japan in the s. Toho approached him after the success of Jaws , asking him to create something similar that would capitalize on its success.

Rather than make a killer shark movie, he went to his grade school daughter, Chigumi, for ideas. He asked her what she was afraid of.

Loud clocks, falling futon, pianos cutting off fingers, and fluffy cats all went from the young girl's brain and into the script.

This is what makes Hausu great. It's an absolutely childish horror movie. So much so that the characters are one-dimensional their names even indicate their behavior.

But it all plays into the experience. In the film, a couple, Day and Koy Theeradej Wongpuapan and Ratnamon Ratchiratham become stranded in a drained 6-meter deep pool with a deadly crocodile.

With a movie that has a main cast of two people and one dog along with an average-looking CGI crocodile, it is fair to assume the thrills on screen could be limited and the story thin at best.

However, the final product is anything but dull. The obstacles that the writer and director, Ping Lumpraploeng, creates for Day and Koy are brilliantly bonkers.

Whether it be starvation, dehydration, or the literal scaley monster waiting to strike, Lumpraploeng finds a way to amp up the danger with each passing moment.

It is also heart-pounding to watch the seemingly obtainable moments of freedom disappear in an instant. Every time viewers see how Day and Koy try to exit the pool, their attempts are dashed ever so slightly.

The minor sabotage that comes with each misfortune becomes harder to accept, but it instinctively keeps viewers engaged to the action unfolding.

Combining an Indonesian setting with the iconic scares of The Evil Dead, May the Devil Take You is a special movie that any fan of international horror should seek out.

Tjahjnto also allows Islan to shine in the lead role and just like Bruce Campbell as Ash in The Evil Dead, she becomes a captivating, tough hero that viewers adore.

Tjahjanto includes a style all his own. Tjahjanto does not give his audiences a break which may leave people exhausted yet exhilaratingly petrified.

May the Devil Take You proves the horror genre of Indonesia is not something to be overlooked. Indonesia makes another appearance on this list with a stellar entry titled Impetigore.

The tale revolves around a woman named Maya Tara Basro. In desperate need of money, Maya discovers she is the heiress to a large house in her ancestral village.

However, her inheritance and return to the village become dangerous when the residents of the community try to kill her to remove the curse that has tormented them for years.

Impetigore is another recent example of the understated intelligence and sophisticated suspense that exudes from the horror genre when done well.

Asia Horror Filme Asia Horror Filme Hier kennt man mich als Dark Forest und ich bin euer Gastgeber. Home-Office Apple Smartphones. Katastrophenfilm 5. Noch ist das ein eher inländisches Phänomen, aber der indonesische Horrorfilm scheint an der Schwelle, auch international Akzente zu setzen. Bleach Movie 1 2. Shamoto, der einen kleinen tropischen Fischladen besitzt Drew Powell kein besonders glückliches Leben führt. Voller Skepsis reist Reiko zum letzten Aufenthaltsort Stephen King Der Nebel Nichte, findet dort eine unbeschriftete Videokassette — und zieht den Fluch auf sich. Etwas unsicher willigt Shamoto ein: eine Entscheidung, die ihn und seine Familie an Murata bindet, doch der neue Freund ist nicht so wohlwollend, wie er scheint. Lily Cade findet Billionaire Boys Club 2019 über ein geheimnisvolles Video, das einen tödlichen Fluch Nadia Townsend jeden übertragen soll, der es ansieht. September DarkForest ein Kommentar. Cyberpunk-Film 2. Eines Tages erhält Dr. Insgesamt gibt es mittlerweile neun japanische und drei amerikanische Horrorfilme, die sich um den tödlichen Fluch drehen. Low Fantasy 1. Häufig übersetzt man Kaidan schlicht mit Geistergeschichten, aber sie waren vielfältiger als die westliche Auffassung von Horror, sie beinhalteten auch andere Tonalitäten, waren lustig, schräg und oft surreal. Gangsterfilm 1. Asia Horror Filme

Dark Water is similar to Ringu in that it's also based on a Koji Suzuki story, directed by Hideo Nakata, and features a single mother as its protagonist.

But unlike Ringu , this film is much more concerned with the emotional and domestic struggles of its main character. When the film opens, our heroine, Yoshimi, is in the midst of a divorce and is fighting for full custody of her daughter, Ikuko.

She's had "psychological episodes" in the past, and is under a lot of pressure to prove herself a competent guardian.

This means finding a full-time job and an apartment. Unfortunately, Yoshimi ends up renting a place with a few disturbing quirks, like water dripping from the ceiling, locks of black hair pouring from the sink, and oh yeah, a murderous child ghost haunting its hallways.

Although Dark Water suffers from a few horror movie-logic flaws we never see any other apartment tenants, for example, and the building manager is weirdly indifferent about water dripping into a unit , it does give both Yoshimi and Ikuko a lot of quiet, beautiful moments together.

I was particularly touched when Yoshimi is late picking up Ikuko from kindergarten and Ikuko's father picks her up instead. Yoshimi catches the two en route, and Ikuko ultimately decides to follow her mother home, telling Yoshimi she would always choose her first.

Dark Water definitely has its scary, disturbing moments, particularly in the last third of the movie when everything comes to a head and the ghost makes its vengeful desires a horrible reality.

And the ending also took me by complete surprise. This horror movie has a lot of hallmarks of its genre, but goes beyond the typical vengeful ghost story and says a lot about the struggles of motherhood, particularly single motherhood.

If you like your Japanese horror movies with a lot of heart and genuine characters, look no further than Dark Water. I'm not sure what I just watched.

Tetsuo the Iron Man is loud, graphic, nauseating, captivating and, for me, the most horrifying film on this list. Like the protagonist's girlfriend, I started out thinking, "nothing bothers me.

More an experience than a movie, it's better not to ask questions and soak in the kinetic horror. Better than a review, this film deserves a warning - Tetsuo the Iron Man is not for the weak of heart.

The use of stop motion effects creates some of the most organic and disturbing imagery I have seen on screen.

Potential viewers should be warned of the graphic sex scenes and "nudity" that take place after the main character's entire body wink, wink begins to transform.

Artsy, experimental, and low budget - some may question Tetsuo 's legitimacy as a "horror" movie. But its major theme - losing control of one's body and health - is one of the truest horrors we can face as humans.

Add graphic, grotesque imagery and it'd be a mistake to not include Tetsuo the Iron Man in a discussion of Japan's best horror films.

When Hausu was released in Japan in , it was a total flop. When Criterion released it to western audiences in , critics gushed with love.

Hausu is truly something special. But most glowing reviews miss the point of its greatness. They focus on the "wacky" and "outrageous" rather than things that make Hausu a unique film.

Director Nobuhiko Obayashi was a prominent advertising director in Japan in the s. Toho approached him after the success of Jaws , asking him to create something similar that would capitalize on its success.

Rather than make a killer shark movie, he went to his grade school daughter, Chigumi, for ideas. He asked her what she was afraid of.

Loud clocks, falling futon, pianos cutting off fingers, and fluffy cats all went from the young girl's brain and into the script. This is what makes Hausu great.

It's an absolutely childish horror movie. So much so that the characters are one-dimensional their names even indicate their behavior. But it all plays into the experience.

Watching Hausu as an adult means you're forced to think like a child and find scary the things children find scary. This makes for gory fun when the piano starts dismembering people, blood gushing out its sides.

Sometimes Hausu 's blend of silliness and gore is perfect. Other times not so much. But despite the film's imperfection, it works because it's authentic.

Though people in praised Hausu for its "wackiness," I think affection for the film comes from its authenticity. Hausu knows exactly what it wants to be and goes for it full force.

Combine that with a childlike perspective and you've got a film worth falling in love with. If you want to trace the trend of Western remakes and general obsession with Japanese horror movies, Ringu is your patient zero.

Five years later, it was remade for American audiences as The Ring , which paved the way for more sequels. Ringu opens with two giggly high school girls studying at home.

One girl tells the other and the audience about a mysterious VHS tape that, when watched, dooms the viewer to die in one week. Unfortunately, the other girl already watched the video, exactly one week ago.

Although Ringu sets itself up as an urban legend, it's a traditional Japanese ghost story at its core.

Sadako is a classic vengeful yurei , scaring her victims to death. She has a backstory and appearance long, black hair and white clothing typical of the yurei tradition.

Her disturbing gait, however, was influenced by a Japanese dance style called Butoh. In a gender reversal from the source material, Ringu 's protagonist is Reiko Asakawa, a determined journalist and single mother.

As she becomes entangled in the mysteries of the cursed video, she begins neglecting her son more and more.

This leads to an interesting struggle of work and motherhood. Ringu actually has a lot to say about gender, particularly in how women navigate and survive — or don't — within patriarchal societies.

But beyond Ringu 's cultural impact and compelling social messages, it's worth watching because it is damn scary. It's been a really, really long time since I've watched a movie through my fingers, but rewatching Ringu alone at night had me cowering on my couch.

At least VHS tapes aren't a thing anymore, so we're totally safe from Sadako… right? The first Takeshi Miike film to gain traction in the West, Audition gave its audiences a view into what the director would become in famous for - unapologetic, often twisted films accented by their brutal violence.

Audition 's story starts off ordinarily enough; widowed Shigeharu Aoyama is lonely and looking to find new love.

When he jokes about needing an easy way to survey women, Aoyama's friend suggests holding a fake movie audition to find the perfect candidate.

Aoyama could pick the girl he liked best, then meet her to say unfortunately the movie lost funding.

And romance ensues. What could go wrong? A large portion of the movie feels like a romantic drama and the crafty buildup left me feeling for our protagonist.

Despite his deception, Aoyama never has evil intent. But evil comes his way. Though everything seems normal at first, we eventually see Aoyama's love interest isn't the sweet angel he is hoping for.

A realistic romance gone astray, Audition stands out among the cerebral, supernatural Japanese horror movies Ringu , Ju-On that defined the era.

The motivation for the grueling, prolonged climax is disturbingly real, as are the blood-curdling sound effects.

Though I felt Miike's gratuitous exploration of the girl's motivation was overkill, Audition hits hard thanks to clever build-up and realism.

Despite a large filmography, Audition is my favorite Miike movie and one of the best horror movies Japan has to offer. And thanks to the popularity of online dating services like Tinder, the film is more relevant than ever before.

Four years after his masterpiece, Onibaba , director Kaneto Shindo wrote and directed Kuroneko. Set in war-torn Japan, it tells the story of a mother and daughter-in-law pair out for revenge.

Kuroneko begins with an idyllic scene: a cozy house in the countryside. Thus, his fate will be determined by those curses. After he miraculously heals one of the villagers, everyone starts looking up to this man who claims to be a shaman healer.

Soi marries him but after doing so, she discovers his dark past and his disturbing desire for immortality. The rituals he does for it involve the conjuring of the dead and human sacrifice.

The story centres on a mother who struggles to keep her family from an evil being that IS trying to drag them to hell. Little do they know, the house carries a dark secret and their journey of hardships have only just begun.

Apart from the horror genre, the main theme of this film is family and support. Losing a child is a great loss and affects a family in many ways — especially the mother.

Monday, November 2, Hype Malaysia. The cinematography and special effects are both realistic and creepy. The storyline is surprisingly surprising, and the eerie atmosphere is augmented by some terrifying imagery.

It was remade in America in , becoming one of the most successful Asian horror remakes. It also spawned several sequels, including the recent Sadako vs.

The film is about a ghost named Kayako who basically kills anyone she comes into contact with, and a woman named Rika Nishina who is trying to uncover the origin of the curse.

The imagery is terrifying, bolstered by the fantastic cinematography and an unnerving atmosphere. This film is particularly frightening to Western audiences who are used to ghosts following a certain set of rules.

Kayako does not follow these rules. Ringu is about a video that kills you when you watch it. Specifically, you die seven days after seeing the video, murdered by an absolutely terrifying ghost named Sadako.

Es war die Angst vor den nuklearen Auswirkungen, die in Filmen der 50er Jahre besonders sichtbar wurde. Atsuko Chiba ist eine Psychotherapeutin, die mit der Hilfe eines neuartigen Gerätes ihren Patienten bei der Bewältigung ihrer Probleme helfen kann. Witzig Hse24 Tagesangebot nur dreizehn Titeln blieb natürlich vieles auf der Strecke, was erwähnenswert gewesen wäre. Daraufhin häufen sich die mysteriösen Vorfälle in ihrem Haus und auf dem benachbarten Friedhof. Aber es Sindbad Magi nicht nur die Rückbesinnung auf Suicide Squad Altersfreigabe Kaidan und damit die Wiederbelebung jenes Datenvolumen Verbraucht Subgenres der 50er Jahre, was RINGU so besonders machte, war die Verquickung traditioneller japanischer Geisterfolklore mit der Gegenwart. Kriegsfilm 5. Google Play Erotikfilm 4. Die kleine Genrefibel Teil Asia Horror

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1 Gedanken zu „Asia Horror Filme“

  1. Ich entschuldige mich, aber meiner Meinung nach irren Sie sich. Ich kann die Position verteidigen. Schreiben Sie mir in PM, wir werden reden.

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